Contain objects of tourism in Indonesia. Equipped with native foods and delicacies from Indonesia. Sites you should visit for a reference for you who will travel tours throughout Indonesia.
Saturday, October 23, 2010
PALACE SUMENEP: Portrait of Giant In A Frame History
Stands majestically across the changing times. Scars of history remains a triumph in the East end of Salt Island. Bak giant portrait in a frame history. Imposing building standing with the feel of a typical legacy of the past implies. Standing in an area of 12 hectares, in the middle there is the Great Hall with typical ornaments set in an old building that is not less gallant radiate charisma. Large banyan tree standing next to his left, add a solid and nuances that emanated from the sacred heritage of the kings who once ruled.
Although now no longer inhabited the palace Sumenep a king and his family and his servant. But building more than 200 years old it is maintained. Sumenep after a change in the bureaucracy and began to be led by a regent after the king Panembahan Notokusumo II (1854-1879) considers the rest of the golden heritage as a rich history that is priceless.
The buildings in the area of the palace is no longer occupied. Except on the back, overlooking the North, who later built the home office district, opposite the palace. While the marquee events are now often functioned to meetings of government officials, to local arts and cultural performances.
Physical building Sumenep fairly pristine palace. Only the floor has been changed because of damage. Originally marble tiles now. Toward building his own palace that he was more than two centuries had made improvements but only on the urgency. In addition, the painting is still being done on the wall to keep looking bright. The main palace building consists of two floors. The top floor is where the princess is secluded for 40 days before the arrival of the wedding day, the king's residence buildings located on the ground floor there are four rooms each with private rooms reserved for the king, queen room, room parents male and female parent king .
Stands majestically across the changing times. Scars of history remains a triumph in the East end of Salt Island. Bak giant portrait in a frame history. Imposing building standing with the feel of a typical legacy of the past implies. Standing in an area of 12 hectares, in the middle there is the Great Hall with typical ornaments set in an old building that is not less gallant radiate charisma. Large banyan tree standing next to his left, add a solid and nuances that emanated from the sacred heritage of the kings who once ruled.
Although now no longer inhabited the palace Sumenep a king and his family and his servant. But building more than 200 years old it is maintained. Sumenep after a change in the bureaucracy and began to be led by a regent after the king Panembahan Notokusumo II (1854-1879) considers the rest of the golden heritage as a rich history that is priceless.
The buildings in the area of the palace is no longer occupied. Except on the back, overlooking the North, who later built the home office district, opposite the palace. While the marquee events are now often functioned to meetings of government officials, to local arts and cultural performances.
Physical building Sumenep fairly pristine palace. Only the floor has been changed because of damage. Originally marble tiles now. Toward building his own palace that he was more than two centuries had made improvements but only on the urgency. In addition, the painting is still being done on the wall to keep looking bright. The main palace building consists of two floors. The top floor is where the princess is secluded for 40 days before the arrival of the wedding day, the king's residence buildings located on the ground floor there are four rooms each with private rooms reserved for the king, queen room, room parents male and female parent king .
In general, the architectural style is a blend of Kraton Sumenep European architectural styles, Arabic and Chinese. European-style look at the pillars and dent ornaments. Meanwhile, Chinese style can be seen in carvings that decorate. Detailed pictorial carvings Bird Hong, who supposedly is a symbol of the sacred by the splendor of the Chinese nation. There is also a dragon which symbolizes strength, some pictorial Pomegranate flower that symbolizes fertility. Similarly, the choice of colors Red and Green.
One of an architect named Lauw Piango palace building, which once died in kebumikan around Asta Tinggi (tomb complex Sumenep king and his descendants) is a male Chinese nationals. Even the reputedly the head carpenter at the construction of the palace is the Chinese people, named Ka Seng An. The name was later used as the name of the village where he once lived, a village Kasengan.
In the history of Sumenep mentioned palace residence of the king had to move. It is said that in the early days, led by King Aria Wiraraja, originating from Singosari palace Banasare Sumenep in the Village, District Rubaru. then the palace has also been moved to the area during the king Dungkek Jokotole (1415-1460). Several other areas also indicated as the palace Sumenep, such as the Cape, Keles, Bukabu, Baragung, Kepanjin and other areas before finally occupying the palace of the remaining sites now. In the village of Pajagalan which is inherited from the king, namely Panembahan Somala and six the next king.
Panembahan Somala katemenggungan or Duchy initiative to build this after finishing the war with Blambangan, in the year 1198 hijriyah. Palace was completed in year 1200 or 1780 BC hijriyah.
The boundaries include the palace of antiquity, the East side is Lake Park, remains a source of water from Park child Sare around the palace. Unfortunately, this place is now closed because it functioned as a source of water taps Sumenep. Northside palace walls to the existing monument in Panglima Sudirman street now. And the West side to the rear of the Great Mosque (Jami ') Sumenep now.
According to the story, before it was built Masjid Jami ', already there is a mosque built by the king Prince Anggadipa (1626-1644 AD). Located in the north of the palace. His name is Masjid rate, the rate in the Indonesian language means Long. Masjid Jami 'mosque before an exclusive palace for the king and royal circles. Right in front of the mosque there is the palace square. Now it's been redesigned into a flower park Sumenep City. While the Southern boundary to the rear of the museum. Fences palace is a relic that is now the R. Aria Tumenggung Prabuwinata. Prior was replaced with an iron bar that led to the eyes of the spear, a wall thickness of the palace fence as high as more than two meters. This is evident from the rest of the fence that still exist behind the palace, right in front of the home office now Regent. Time fence is now maintained as a monument of historical evidence Sumenep Palace.
The building that used tourism and Cultural Affairs office is actually not part of the palace, formerly known as Gedong Affairs, although there are inside the palatial Sumenep. European-style building was founded around the year 1931, in the era of Dutch occupation in the country. The presence of the building right in front of the palace was indeed disturbing charisma as a whole palace. The view towards the palace Sumenep become obstructed.
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